…
I’M NOT SCARED, I’M HUMAN.
:::a poem:::
.
at this excruciatingly uncomfortable crossroads
where the past has been deliberately forgotten
and it seems like no future can now arise
where we numbly thumb through images of starving children
as if watching a Halloween horror film
as hurricanes rain down on inland villages
and floods intensify while fires burn
i struggle to articulate the awkward feelings metamorphisizing within.
painting by Thai artist, Thawan Duchanee
.
at this unbecoming juncture
where my ancestors seems to have all but given up
and it seems most would rather align our narrative with lies
than do the necessary work of coming to terms with Grief,
“embarrassment” and “shame” give way to altogether new emotions.
.
What is this that I feel?
.
as i stare into the endless, neglected night sky
disgracefully smeared by city lights, satellites and starlink,
i offer an incompetent prayer
guided by what little remains of what we once took for granted
that holy spark that once intimately connected us to the cosmos
forever guiding our way.
.
The Great Axis upon which all great stories arose
now seems but an ancient ruin
upon which now but another phallic tower soars
another billboard, satellite, missile launcher and meaningless metaphor.
.
i look at my daughter
i look back at the country that raised me
i see the coming tidal wave
and it isn’t “fear” that I feel
it is something else entirely.
.
i’m not “scared”
perplexed perhaps
lost within someone else’s manufactured dream
floating in a cruel, hypnotic bardo
jaded from too many sacred sites sold out to tourism
disgruntled and disheveled from all the amnesia.
.
uprooted for centuries
indoctrinated into a grossly misinterpreted religion
comforted by a “culture” that has no Place
articulated by a language that cannot breathe
that prefers efficiency over praise
convenience over reciprocity, relation and song.
.
this sensation is bigger than “regret”
far vaster than “confusion” or “dread”
no new politician can cure the dystopic fantasy that has stolen our View
no new war can usher in the peace now required for the revival of sanity.
painting by Thai artist Jirapat Tatsanasomboon
.
I meekly do what I think is right
and bow to the Sun at dawn
The same Sun that has seen us fall into forgetfulness so many times before
The same Sun that has seen so many unlikely miracles emerge
unexpectedly, through unseen cracks
glitches in the system.
.
a salty tear slowly trickles down my pensive face
my daughter asks, “Why?”
i have no answer
i don’t know what this feeling is
i’m not scared
i’m not sad
i’m human
i’m hopeful
and i’m dying.
.
i am of this now
and to live well is to eventually die.
so I offer my bloodline back to the soil
with a vow to try and re-member all I can before my final departure,
to surrender fully my voice, as did her favorite mermaid, to the mystery of the sea.
40 more years if i am lucky.
enough time to become good soil.
.
i carry with me just as much gratitude as anything else I am burdened by.
“This world is incredibly beautiful”, I tell her.
and i mean it.
.
but no one truly wants this story anymore
it’s exhausting
and isn’t fun
the plot line lost its focus long ago
finally, the jungle begins to reclaim Her rightful throne
whimsical cyclones ushering in Her inevitable wake.
.
beneath our unused feet
up and through empires frail, discarded bones
Mycelium brilliantly churns modernity into useful compost
without us even knowing
growing wildly different realms into never-before-seen view
new story’s sprouting from the ashes of misguided mistakes
fresh languages are being birthed into being
that store within them still all that has been lost
the magical, life-serving instructions that long ago informed us all
how to properly live
how to heroically feel
how to simply be
and let go.
…
we are seeds.
time capsules preserving Myth.
.
I bend down and wrap my arms around her.
She doesn’t understand this world.
And neither do I.
The Transformation of Sita (After S. Botticelli) by Jirapat Tatsanasomboon
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